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%ما هو (من)٪ 1 - تعريف

PAINTING BY THÉODORE GÉRICAULT
Raft of the medusa; Le Radeau de la Meduse; Raft of the Medusa; Raft of Medusa; The Raft Of The Medusa; Raft Of The Medusa; Scene of Shipwreck; Scène de Naufrage; Le Radeau de la Méduse
  • The main 16 colours used for the painting<ref name=christiansen/>
  • In 1820, Géricault successfully exhibited the painting in the [[Egyptian Hall]] in [[Piccadilly]], London.
  • The Last Judgment]]'' in the [[Sistine Chapel]]. Géricault said, "Michelangelo sent shivers up my spine, these lost souls destroying each other inevitably conjure up the tragic grandeur of the Sistine Chapel."<ref>Borias, 10:11</ref>
  • Diagram showing the outline of the two pyramidal structures that form the basis of the work. The position of the Argus rescue vessel is indicated by the yellow dot.
  • ''Cannibalism on the Raft of the Medusa'', crayon, ink wash, and gouache on paper, 28&nbsp;cm × 38&nbsp;cm, [[Louvre]]. This study is darker than the final work, and the positions of the figures differ significantly from those of the later painting.
  • Detail of the crew member waving his handkerchief to draw the ship's attention
  • Musee des Beaux-Arts]], [[Lille]], France
  • Charles Motte}}, after Théodore Géricault.
  • [[Pierre-Paul Prud'hon]]. ''Justice and Divine Vengeance Pursuing Crime'', 1808, 244&nbsp;cm × 294&nbsp;cm, [[J. Paul Getty Museum]], [[Getty Center]], Los Angeles.  The darkness and the sprawling naked figure were an influence on Géricault's painting.<ref name=gayford/>
  • ''Portrait Study of Joseph'', oil on canvas painting by Théodore Géricault, c. 1818-19, Getty Center. Joseph served as model for at least two Black individuals in the final version of the artist's representation of Medusa's raft.
  • Copy of the work by [[Pierre-Désiré Guillemet]] and Étienne-Antoine-Eugène Ronjat, a full size copy, 1859–60, 493&nbsp;cm × 717&nbsp;cm, Musée de Picardie, [[Amiens]]<ref name=smith/>
  • date=30 March 2012 }}". Terra Foundation for American Art. Retrieved on 24 January 2008. 
</ref>
  • Detail from the lower left corner of the canvas showing two dying figures
  • ''Study'' c. 1818–1819, 38&nbsp;cm × 46&nbsp;cm, [[Louvre]]. This preparatory oil sketch nearly fully realises the positions of the figures in the final work.

Naufrage      
·noun Shipwreck; ruin.
Naufrage, Prince Edward Island         
LOCALITY IN PRINCE EDWARD ISLAND, CANADA
Naufrage is a community in Kings County, Prince Edward Island, Canada, in the northeast section of the province in Lot 43.

ويكيبيديا

The Raft of the Medusa

The Raft of the Medusa (French: Le Radeau de la Méduse [lə ʁado d(ə) la medyz]) – originally titled Scène de Naufrage (Shipwreck Scene) – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Completed when the artist was 27, the work has become an icon of French Romanticism. At 491 by 716 cm (16 ft 1 in by 23 ft 6 in), it is an over-life-size painting that depicts a moment from the aftermath of the wreck of the French naval frigate Méduse, which ran aground off the coast of today's Mauritania on 2 July 1816. On 5 July 1816, at least 147 people were set adrift on a hurriedly constructed raft; all but 15 died in the 13 days before their rescue, and those who survived endured starvation and dehydration and practiced cannibalism (the custom of the sea). The event became an international scandal, in part because its cause was widely attributed to the incompetence of the French captain.

Géricault chose this large-scale uncommissioned work to launch his career, using a subject that had already generated widespread public interest. The event fascinated him, and before he began work on the final painting, he undertook extensive research and produced many preparatory sketches. He interviewed two of the survivors and constructed a detailed scale model of the raft. He visited hospitals and morgues where he could view, first-hand, the colour and texture of the flesh of the dying and dead. As he had anticipated, the painting proved highly controversial at its first appearance in the 1819 Paris Salon, attracting passionate praise and condemnation in equal measure. However, it established his international reputation and today is widely seen as seminal in the early history of the Romantic movement in French painting.

Although The Raft of the Medusa retains elements of the traditions of history painting, in both its choice of subject matter and its dramatic presentation, it represents a break from the calm and order of the prevailing Neoclassical school. Géricault's work attracted wide attention from its first showing and was then exhibited in London. The Louvre acquired it soon after the artist's death at the age of 32. The painting's influence can be seen in the works of Eugène Delacroix, J. M. W. Turner, Gustave Courbet, and Édouard Manet.